The paper centers around a possible line of interpretation of literature-reality intercourse with the help of author-figure mediation. The autobiographical disposition of the latter in A ballad to Georg Hennih fictional space is what scientific lenses are set upon. Considered the opening first part of an autobiographical trilogy (followed by Germany – a dirty story, and A love story autopsy), A ballad to Georg Hennih short novel inaugurates autofiction as Victor Paskov’s literary style and means of recognition. The ballade’s world is based on a playful dialogue between fictional and real, skillfully handled by Paskov’s own maneuver of questioning author’s status in the twofold manifestation of self-revealing and being a novel’s character. The self-revealing dimension is imbued with childhood trauma thus launching the long-term journey of answering the essential question “Who am I really?”
OBSERVING AUTOFICTION IN THE BULGARIAN PROSE OF THE 80’s OF 20th CENTURY (A BALLAD OF GEORG HENNIH – VICTOR PASKOV)
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YEAR: КНИГА 9PUBLISHED ON :
PUBLISHER: INSTITUTE FOR LITERATUREISSN (Print): 2738-7631ISSN (Online): 2815-2999
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- NAME: Ilvie Konedareva
- INVERSION: Konedareva, Ilvie
- E-MAIL: [email protected]
- INSTITUTION: Department New Bulgarian Studies – New Bulgarian University
- COUNTRY: Bulgaria
ИЛВИЕ КОНЕДАРЕВА е доктор по съвременна българска литература. В момента е главен асистент по теория и история на литературата в Нов български университет. Научните ѝ интереси са в областта на съвременната българска литература и теория на романа, автофикция в прозата и наративни теории. През 2014 г. защитава дисертация на тема „Българският роман след 1989 година: промени в поетиката“. Продължава своята изследователска работа върху културата и литературата на Прехода, като публикува статии, посветени на тази тематика. Професионално се интересува също от методика на обучението по български език и по литература.
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ABSTRACTThe paper centers around a possible line of interpretation of literature-reality intercourse with the help of author-figure mediation. The autobiographical disposition of the latter in A ballad to Georg Hennih fictional space is what scientific lenses are set upon. Considered the opening first part of an autobiographical trilogy (followed by Germany – a dirty story, and A love story autopsy), A ballad to Georg Hennih short novel inaugurates autofiction as Victor Paskov’s literary style and means of recognition. The ballade’s world is based on a playful dialogue between fictional and real, skillfully handled by Paskov’s own maneuver of questioning author’s status in the twofold manifestation of self-revealing and being a novel’s character. The self-revealing dimension is imbued with childhood trauma thus launching the long-term journey of answering the essential question “Who am I really?”
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