The paper makes an inquiry into the structural characteristics of the mainly internet based musical genre of sovietwave. The aim is to simultaneously observe certain features of the cultural context of its actualization and to problematize some contextual codes thought of as self-evident throughout its reception.
NOSTALGISM OF THE IMPOSSIBLE. AN ATTEMPT FOR A PARALITERATURAL READING OF THE SOVIETWAVE GENRE
-
YEAR: КНИГА 9PUBLISHED ON :
PUBLISHER: INSTITUTE FOR LITERATUREISSN (Print): 2738-7631ISSN (Online): 2815-2999
-
-
- NAME: Ventzeslav Scholtze, PhD
- INVERSION: Scholtze, Ventzeslav
- E-MAIL: [email protected]
- INSTITUTION: Софийски университет „Св. Климент Охридски“
- COUNTRY: България
Венцеслав Шолце, роден през 1992 г., е доктор по филология. Темата на неговия дисертационен труд, защитен във Факултета по славянски филологии на СУ „Св. Климент Охридски“ през 2020 г., е „Симеон Радев в българската култура от началото на ХХ век“, Автор е на из- следвания в областта на литературната и културната история, семиотиката и философията на езика.
-
-
ABSTRACTThe paper makes an inquiry into the structural characteristics of the mainly internet based musical genre of sovietwave. The aim is to simultaneously observe certain features of the cultural context of its actualization and to problematize some contextual codes thought of as self-evident throughout its reception.
SUBJECT
