The article researches Todor P. Todorov’s novel Hagabula as a distinctive contribution to Bulgarian magical realism, combining myth, history, and global exploration. Central are two female archetypes: the witch, embodied in a young, beautiful woman whose connection to the supernatural reopens humanity’s roots, and the grandmother, familiar from Bulgarian literature as a symbol of primal time and maternal essence but also appearing as a magical figure in the literature of the 1960s and 1970s. Todorov transforms the grandmother figure into a rejuvenated, magical witch, thus bridging tradition and innovation. The article examines how the novel stages both the loss of home and the search for the new in general, positioning Hagabula simultaneously as a departure from and a continuation of the Bulgarian literary heritage of root-seeking from the previous century.
Hagabula by Todor P. Todorov in the Context of Bulgarian Literature
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YEAR: КНИГА 9PUBLISHED ON :
PUBLISHER: INSTITUTE FOR LITERATUREISSN (Print): 2738-7631ISSN (Online): 2815-2999
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- NAME: Yanitsa Radeva
- INVERSION: Radeva, Yanitsa
- E-MAIL: [email protected]
- INSTITUTION: St. St. Cyril and Methodius National Library
- COUNTRY: Bulgaria
- ORCID: 0009-0005-0502-0064
ЯНИЦА РАДЕВА е доктор по литература. Автор е на монографията „Обетован кръг. Времена и пространства в поезията на Иван Теофилов“, на стихосбирките „Друг ритъм“ (2003) и „Кошерът на думите“ (2012), както и на романите „Бонбониерата“ (2011), „Сезонът на Йоана“ (2015), „Пътят към Тива“ (2017), „Поздарви от Хадес“ (2020), „Годината, която започна в неделя“ (2024). Научните ѝ интереси са в областта на съвременната българска литература. Има публикации по въпросите на книгоиздаването и върху пространствата на принуда и литературния им образ през Възраждането.
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ABSTRACTThe article researches Todor P. Todorov’s novel Hagabula as a distinctive contribution to Bulgarian magical realism, combining myth, history, and global exploration. Central are two female archetypes: the witch, embodied in a young, beautiful woman whose connection to the supernatural reopens humanity’s roots, and the grandmother, familiar from Bulgarian literature as a symbol of primal time and maternal essence but also appearing as a magical figure in the literature of the 1960s and 1970s. Todorov transforms the grandmother figure into a rejuvenated, magical witch, thus bridging tradition and innovation. The article examines how the novel stages both the loss of home and the search for the new in general, positioning Hagabula simultaneously as a departure from and a continuation of the Bulgarian literary heritage of root-seeking from the previous century.
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