The present study aims at examining the motif of death in the early work of the Bulgarian Symbolist Teodor Trayanov. The image of death in the poet’s first poems’ collection Regina Mortua (1909) was specifically studied. Worked on the anthology The Freed Man (1929), including works from the period 1905–1911, where Regina Mortua occupies the first part.
ON THE PROBLEM OF DEATH AS A SYMBOL IN THEODOR TRAYANOV’S POETRY
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Вера Радева
- [email protected]
- Институт за литература – Българска академия на науките
- България
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ВЕРА РАДЕВА e доктор по филология. Завършва българска филология в СУ „Св. Климент Охридски“ и защитава дисертация на тема „Аспекти на чуждостта в разказите на Георги Порфириев Стаматов“ в Института за литература при БАН. Научните ѝ интереси са в областта на българската литература между двете световни войни.
Abstract:The present study aims at examining the motif of death in the early work of the Bulgarian Symbolist Teodor Trayanov. The image of death in the poet’s first poems’ collection Regina Mortua (1909) was specifically studied. Worked on the anthology The Freed Man (1929), including works from the period 1905–1911, where Regina Mortua occupies the first part.
Subject: TEODOR TRAYANOV IN THE MIDST OF BULGARIAN SYMBOLISMKeywords: Теодор Траянов, поезия, символизъм, смърт
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