The article examines a main problem of late modernity in the 20th century: Technology as an atavistic shadow of Enlightenment rationality. As a force created by man but escaped from his power, which produces a new funda- mental slavery for the late modern das Man (in Heidegger’s sense). The article consists of two parts, unfolding two parallel but merging plots. The first part outlines the universal context of the era immediately after the end of WW II with an emphasis on Heidegger’s “second” philosophy (after die Kehre), the deepest critical self-reflection of late/crisis modernity in the mid-20th century and then: the basic idea of Technik/Machenschaft as an enslaving factor. The second part of the article examines how the same problem, which arose simultaneously but independently in the current Bulgarian reality in the 1960s and 1970s, was discussed by a representative part of Bulgarian prose: the “rural” writer Yordan Radichkov, the “urban” one Pavel Vezhinov, but above all Emilian Stanev, who, like Heidegger at the same time, paradoxically combines strongly right-wing ethno-conservatism and far-left eco-ideology.
NEW SLAVERY: THE DEBATE ON TECHNIQUE IN THE 1960s (HEIDEGGER). ANTISCIENTIFIC TRENDS IN BULGARIAN LITERATURE (EMILIYAN STANEV)
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- NAME: Plamen Antov
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INSTITUTIONInstitute for Literature – Bulgarian Academy of Sciences
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COUNTRYBulgaria
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PLAMEN ANTOV (1964). Prof. DSc, Institute for Literature – Bulgarian Academy of Sciences, poet, writer. Author of more than 200 scientific publications and several monographic studies: on Bulgarian postmodernism (2010, 2016), Yavorov and Botev (2009), Emilian Stanev and Martin Heidegger (2019–21), „До Чикаго и назад” [To Chicago and Back] and Bai Ganyu (2021), the Bulgarian Revival and Western Modernity (2024), as well as 15 books of poetry, short stories, plays and fragments. Compiler of the scientific collections: „Америките ни 1: Южна Америка и българската литература, български следи в Латинска Америка” [Our Americas 1: South America and Bulgarian Literature, Bulgarian Traces in Latin America] (2015), „Америките ни 2: САЩ като метафора на модерността. Българо-американски отражения (ХХ–ХХІ в.)” [Our Americas 2: The USA as a metaphor of modernity. Bulgarian-American Reflections (19th–20th Centuries)] (2017), „Магическият реализъм” / Magical Realism (2019). Winner of national awards for poetry, drama and essay prose.
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